DC pole | Wartość | Język |
dc.contributor.author | Kisiel, Michał | - |
dc.date.accessioned | 2019-01-22T12:32:35Z | - |
dc.date.available | 2019-01-22T12:32:35Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | Theoria et Historia Scientiarum, Vol. 14 (2017), s. 27-37 | pl_PL |
dc.identifier.issn | 0867-4159 | - |
dc.identifier.issn | 2392-1196 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/7907 | - |
dc.description.abstract | This article aims at uncovering and interpreting the selected theatrical
tropes in Jacques Derrida’s “Envois” in relation to an interpretative path paved by
Samuel Weber in Theatricality as Medium. Following Weber’s intuitions, “Envois”
is read as a process of staging the postulates posed by Derrida in his previous works,
including “Freud and the Scene of Writing” or “Envoi.” The logic of staging, as
it is argued, relies first and foremost on the trope of apostrophe, understood both
as an act of addressing somebody and a punctuation mark. Derrida’s spectral
correspondence—in which addressees, addressers, destinations, and postcards
themselves engage in an ongoing play of hide and seek—employs the performative
aspect of apostrophe in order to keep the deconstructive wheel in motion, in search
of the genuine intimacy with the other. By means of numerous encrypted and
deciphered events, actual and fictional encounters, allusions to the fort/da scene and
the mirror stage, or the revisions of Matthew Paris’s illustration of Socrates and
Plato, Derrida invites readers to immerse themselves in the ghostly exchange and
its inherent temporal and spatial twists; the stake of this task is to follow the link
joining apo-strophe with apo-calypse, with regard to the catastrophe that resides
between them. | pl_PL |
dc.language.iso | en | pl_PL |
dc.rights | Uznanie autorstwa-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nd/3.0/pl/ | * |
dc.subject | Jacques Derrida | pl_PL |
dc.subject | deconstruction | pl_PL |
dc.subject | materiality | pl_PL |
dc.subject | apocalypse | pl_PL |
dc.subject | apostrophe | pl_PL |
dc.title | Apostrophe and apocalypse : notes on theatricality in Jacques Derrida's "Envois" | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | http://dx.doi.org/10.12775/ths.2017.002 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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