DC pole | Wartość | Język |
dc.contributor.author | Mika, Bogumiła | - |
dc.date.accessioned | 2018-03-02T07:14:20Z | - |
dc.date.available | 2018-03-02T07:14:20Z | - |
dc.date.issued | 2008 | - |
dc.identifier.citation | J. Uchyła-Zroski (red.), "Wartości w muzyce : studium monograficzne. T. 1" (s. 13-23). Katowice : Wydawnictwo Uniwersytetu Śląskiego | pl_PL |
dc.identifier.isbn | 9788322617564 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/809 | - |
dc.description.abstract | This article deals with the problem of musical competence which, together with the listener’s
knowledge of music, fulfills a very important role in the process of musical perception and, at the
same time, in the process of its valuation. The author starts from the general cultural competence
and going through language and artistic competences comes precisely to the musical competence.
She presents the world famous model of musical competence by Gino Stefani in which there are
five levels of competence: General Codes (GC), Social Practices (SP), Musical Techniques (MT),
Style (ST) and Opus (OP). She applies the Stefani’s theory to the perception of the outstanding
example of Polish art music: Sinfonia sacra by Andrzej Panufnik. The aim of this article was to
indicate the relationship between the listener’s musical competence and the possibility of apprehension
of a musical work’s values. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | Wartości w muzyce | pl_PL |
dc.subject | Kompetencje muzyczne | pl_PL |
dc.subject | Kompetencja kulturowa | pl_PL |
dc.title | Wartość muzyki a kompetencja muzyczna | pl_PL |
dc.type | info:eu-repo/semantics/bookPart | pl_PL |
Pojawia się w kolekcji: | Książki/rozdziały (WSiNoE)
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