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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12128/8111
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dc.contributor.authorJędrych, Karolina-
dc.date.accessioned2019-02-07T08:09:03Z-
dc.date.available2019-02-07T08:09:03Z-
dc.date.issued2010-
dc.identifier.citationZeszyty Naukowe Towarzystwa Doktorantów UJ, Nr 1 (2010), s. 140-151pl_PL
dc.identifier.issn2082-3916-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/8111-
dc.description.abstractThe author states that the main character of the social-realistic movie “Przygoda na Mariensztacie” (“An Adventure on Mariensztat”, directed by Leonard Buczkowski in 1954) is the city of Warsaw. Although the love story of the two main characters (Hanka and Janek) which arose and flourished during the reconstruction of the capital (the 1950s), does push forward the action, it is there mostly to show the city. The capital reveals itself as the main character, although if the movie is watched without due attention it may seem to be only the story‟s background. From the first words said in the movie until the very unnatural shot at the end the only important heroine is Warsaw.pl_PL
dc.language.isoplpl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/3.0/pl/*
dc.subjectPrzygoda na Mariensztaciepl_PL
dc.subjectMariensztatpl_PL
dc.subjectmuzykapl_PL
dc.subjectWarszawapl_PL
dc.subjectrealizm socjalistycznypl_PL
dc.subjectmłodośćpl_PL
dc.subjectmaszynapl_PL
dc.subjectmiastopl_PL
dc.title„Miłość w czasach odbudowy” czy „przygoda z Warszawą”. O pierwszoplanowej bohaterce „Przygody na Mariensztacie”pl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
dc.relation.journalZeszyty Naukowe Towarzystwa Doktorantów UJpl_PL
Appears in Collections:Artykuły (W.Hum.)

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