DC pole | Wartość | Język |
dc.contributor.author | Abrasowicz, Gabriela | - |
dc.date.accessioned | 2019-05-07T11:00:31Z | - |
dc.date.available | 2019-05-07T11:00:31Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | AM Journal of Art and Media Studies, No 18 (2019), s. 51-64 | pl_PL |
dc.identifier.issn | 2217-9666 | - |
dc.identifier.issn | 2406-1654 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/9048 | - |
dc.description.abstract | The issue of corporeality is one of the dominant motifs in contemporary women’s
playwriting in the countries formed after the collapse of Yugoslavia. At the turn of the 20th and
21st centuries women’s bodies function as a specific open register in their works, where real-life
content is included. The body is also an instrument which detects the meanings of social actions
and interactions. According to the authors – mainly from Serbia, Croatia, Bosnia and
Herzegovina, and Montenegro – the body becomes a constantly-transforming palimpsestic,
multi-layered body-text which delivers information about the logic of control. The body-centric
perspective here is connected with the problematization of the characters’ reactions to
some mechanisms of normalization, classification, and increasing productivity of the bodies
in their population. The changes in the configuration of control modes and everyday practices
in some areas of women’s life activity are presented. The female authors, e.g.: Milena Bogavac,
Maja Pelević (Serbia), Lada Kaštelan, Ivana Sajko (Croatia), Jasna Šamić, Elma Tataragić (Bosnia
and Herzegovina), Nataša Nelević (Montenegro), Simona Semenič (Slovenia) illustrate
some rituals and transgressions concerning procreation, female visual representations and the
body losing its fitness and becoming isolated. In their artistic descriptions the authors confirm
the relationship between the cultural and psychological inscription of the female body and
female difference in language and text. | pl_PL |
dc.language.iso | en | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | beauty myth | pl_PL |
dc.subject | contemporary women playwrights | pl_PL |
dc.subject | control | pl_PL |
dc.subject | corporeality | pl_PL |
dc.subject | motherhood | pl_PL |
dc.subject | post-Yugoslav region | pl_PL |
dc.subject | violence | pl_PL |
dc.title | Discourse on Corporeality and the Logic of Control in the Works of Contemporary post-Yugoslav Women Playwrights | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.25038/am.v0i18.296 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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