Abstrakt: | The book is an attempt at describing Mickiewicz’s poetic imagination. The description
was performed through the prism of aquaticity owing to the fact that water is a mother
environment of the poet’s imagination. Water is widely perceived here — as an element of
the world (pictures of the water) and as water images creating different spheres of reality.
The methodological inspiration were on the one hand, Eliade’s phenomenology of
symbols and Ricoeur’s hermeneutics, and on the other, thematic criticism (Bachelard,
Starobinski, Poulet).
The imagination is treated here as a primary reality, superior — „deep structure”
spreading inside and across Mickiewicz’s productions and creating their poetic world
as a whole. From the presented point of view the imagination is characterized not only
by an ability to create pictures but also by a special way of perceiving, feeling and
experiencing the reality constituting the essence of poetry. The primary character of
imagination was reflected in a kind of description: it and its particular aspects conditioned
the construction of reasoning. Therefore, particular works appear in different chapters
— every time in a plane of different aspect of imagination in which new senses were
interpreted. When taking into account the level of description the integrality of
compositions was preserved in such a situation when the elements of images included in
them are so inseparably connected with the interpretation of the whole that they would be
not understandable without it. The textual interpretation constitutes an introductory
phase enabling the existence of the poetic world as a whole in which the „deep structure”
was looked for. In the second phase the investigation based on intense „listening into” an
internal shape of imagination, following its basic outline and incessant metamorphoses.
The poetic Mickiewicz’s imagination was examined by means of the analyses of
succeeding levels of aquaticity. In the first part there were presented the crucial aspects of
aquatic symbolism (the structure of aquatic sacrum, symbolism of evil and absolution,
symbolic shapes of time and eternity), its participation in creating Mickiewicz’s
imagination due to the consolidation of universal realities of religion and myth in a sacred
dimension. The prophetic basis of the symbolism pointed out a range of research in this
part. The second part included the interpretation of aquatic imagination of forms: the
analysis of action of aquatic shapes (phenomena of anticipation of forms, their
metamorphoses), the general description of basic aquatic forms („space”, „source” and
„cascade”) constituting Mickiewicz’s poetic imagination and finally, the extraction, description and interpretation of mythical-poetic shapes — the medium of symbolic
dimension acquired by creating the intrapoetic code of signs-images (shapes connecting
into series expressing symbolic senses vividly and deepening and widening the sphere of
crucial textual contents) — not by referring to sacred prophecies. In the last part while
concentrating on Mickiewicz’s material imagination there was showed how the aquatidty
organizes and penetrates the world of Pan Tadeusz as a whole; the „struggle of matter”
conducted in the masterpiece and the phenomenon of transformation of beings (revealing
transcendence) — crucial for Mickiewicz’s poetry were presented. The mechanism of
symbolic metamorphoses was used in the interpretation of the late poet’s lyrics — it shows
how the poet creates the outline of new model of poetic picture in them. |