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dc.contributor.authorMarcela, Mikołaj-
dc.date.accessioned2020-06-29T11:45:47Z-
dc.date.available2020-06-29T11:45:47Z-
dc.date.issued2018-
dc.identifier.citationTeksty Drugie, Nr 5 (2018), s. 257-275pl_PL
dc.identifier.issn0867-0633-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/14843-
dc.description.abstractIn Nomadic Subjects Rosi Braidotti links women to technology on the one hand and to the monstrous on the other, writing about the triad of “mothers, monsters, and machines”. Marcela takes this as a point of departure to examine the different relationships within this triad. In literature and popular culture, the female body has given rise to fears linked not only to its reproductive function – the female body has also been represented as an ambivalent telecommunication tool. In the case the woman’s monstrous nature was associated with the possibility of entering, through her, into contact with the monster. Marcela analyses this theme with reference to Bram Stoker’s Dracula and to the television series Stranger Things, which alludes to the novel.pl_PL
dc.language.isoplpl_PL
dc.rightsUznanie autorstwa 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/pl/*
dc.subjectmonstrouspl_PL
dc.subjectfemininitypl_PL
dc.subjecthorrorpl_PL
dc.subjectmediapl_PL
dc.subjectqueerpl_PL
dc.titleStranger Things, czyli kobiety i potworypl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
dc.identifier.doi10.18318/td.2018.5.15-
Pojawia się w kolekcji:Artykuły (W.Hum.)

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Uznanie Autorstwa 3.0 Polska Creative Commons Creative Commons