DC pole | Wartość | Język |
dc.contributor.author | Marcela, Mikołaj | - |
dc.date.accessioned | 2020-06-29T11:45:47Z | - |
dc.date.available | 2020-06-29T11:45:47Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | Teksty Drugie, Nr 5 (2018), s. 257-275 | pl_PL |
dc.identifier.issn | 0867-0633 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/14843 | - |
dc.description.abstract | In Nomadic Subjects Rosi Braidotti links women to technology on the one hand and to the
monstrous on the other, writing about the triad of “mothers, monsters, and machines”.
Marcela takes this as a point of departure to examine the different relationships within
this triad. In literature and popular culture, the female body has given rise to fears linked
not only to its reproductive function – the female body has also been represented as
an ambivalent telecommunication tool. In the case the woman’s monstrous nature was
associated with the possibility of entering, through her, into contact with the monster.
Marcela analyses this theme with reference to Bram Stoker’s Dracula and to the television
series Stranger Things, which alludes to the novel. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by/3.0/pl/ | * |
dc.subject | monstrous | pl_PL |
dc.subject | femininity | pl_PL |
dc.subject | horror | pl_PL |
dc.subject | media | pl_PL |
dc.subject | queer | pl_PL |
dc.title | Stranger Things, czyli kobiety i potwory | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.18318/td.2018.5.15 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
|