DC pole | Wartość | Język |
dc.contributor.author | Drzazga-Lech, Maja | - |
dc.date.accessioned | 2020-07-14T08:29:21Z | - |
dc.date.available | 2020-07-14T08:29:21Z | - |
dc.date.issued | 2019 | - |
dc.identifier.isbn | 9788322634417 | - |
dc.identifier.isbn | 9788322634424 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/15152 | - |
dc.description.abstract | The book which is devoted to the mythopoeic Moniuszko narratives featured
in Upper Silesian culture is the second and the final volume of the
publication entitled Silesian Moniuszko. The reception of the figure and the
output of the composer in Upper Silesia. A sociological study, which is based in
its entirety on the PhD dissertation of the author entitled The construction of
national identity through music. The reception of the figure and the output of
Stanisław Moniuszko in Upper Silesia in the 20th century. A sociological study,
which was defended at the Department of Social Sciences of the University
of Silesia in 2015.
The book presents the results of an analysis associated with the process of
the assimilation of the figure and the selected works of Stanisław Moniuszko,
approached to as a cultural artefact peculiar to the intersubjective space of
Polish cultural identity, to the Upper Silesian culture. What is significant is
the fact that along with the transformations of Upper Silesianness which
occurred in the 20th century, and especially after the Second World War,
also the content which was attributed by the activists of Silesian associated
amateur circles of songsters and the creators of the reception of the stage
works of the composer presented in Silesia to Stanisław Moniuszko changed.
The post-war Upper Silesian reception of Moniuszko formed by the authors
of press statements which described the activity of the Silesian amateur choirs
and instrumental ensembles – the heirs to the Association of Silesian Circles
of Singers – manifested features of double-track mythologisation. On the
one hand, sometimes one ascribed to Moniuszko the role of a precursor of Polish socialism, which was consistent with the agenda of the socialist Polish
state. On the other hand, one maintained the narrative which rendered the
figure of the composer a symbol of the Polishness of Upper Silesia, created
by the Association of Silesian Circles of Songsters in the inter-war period.
A particularly interesting fact is that within the framework of the activities
of this amateur musical association realised after 1989 one disseminated
a new Moniuszko narrative – a narrative about the friend of the Silesian team
of songsters. This is interpreted as an indicator of a change of the relation
which gradually came into being between Silesian culture and the cultures of
other nationalities which influenced Silesianness. In the modern documents
signed by the Silesian Association of Choirs and Orchestras – the heir to the
Association of Silesian Circles of Songsters – Silesianness is presented not only
as a value but also as a subjective space, which contains references to other
nationalities, including references to Polishness.
An analysis of the reception of the figure of Stanisław Moniuszko and
his stage works, especially his first opera, Halka, created on the basis of
a narrative which refers, respectively to: the performances of Warsaw artists
conducted by Emil Młynarski in the plebiscite area in 1920, the activities of
the opera stage in Teatr Polski im. Stanisława Wyspiańskiego in Katowice in
1922–1931, guest performances of Moniuszko’s works in Teatr Polski in Katowice
in 1932–1939, the activities of Opera Śląska in 1945–2010, also revealed
that there is a Moniuszko narrative, peculiar to this region, which refers to
the first opera of the composer – “the Silesian Halka”. Another interesting
thing has to do with the evolution of the content ascribed to this opera
by the creators of the instances of reception which refer to the particular
performance of Moniuszko’s work staged in Opera Śląski in Bytom. On the
one hand, one constantly mentions the events which constitute the “Silesian
heritage” of this work, on the other hand, one ascribes to the author of this
work the fulfilment of social roles, whose relevance is dictated by the context
of reception: a national artist in Polish music, a precursor of Polish socialism
or the creator of works of universal significance. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Katowice : Wydawnictwo Uniwersytetu Śląskiego | pl_PL |
dc.rights | Uznanie autorstwa-Na tych samych warunkach 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/ | * |
dc.subject | Polishness | pl_PL |
dc.subject | Upper Silesianness | pl_PL |
dc.subject | cultural identity | pl_PL |
dc.subject | cultural artefact | pl_PL |
dc.subject | symbol | pl_PL |
dc.title | Śląski Moniuszko : recepcja postaci i twórczości kompozytora na Górnym Śląsku : studium socjologiczne.T. 2, Mitotwórcze narracje moniuszkowskie w górnośląskiej kulturze : socjologiczna analiza działalności Śląskiego Związku Chórów i Orkiestr oraz Opery Śląskiej w drugiej połowie XX wieku | pl_PL |
dc.type | info:eu-repo/semantics/book | pl_PL |
Pojawia się w kolekcji: | Książki/rozdziały (W.Hum.)
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