Abstrakt: | The state of liturgical music still rises mixed feelings among those who are engaged
in the celebration of the holy ceremonies. Half a century has passed since
the Second Vatican Council introduced documents concerning the new shape of
liturgy, also in the field of music; and a retrospective view of this issue indicates
positive phenomena and examples, but at the same time exposes faults, malpractice
and negligence. The present teaching of the Church in the field of liturgical
music points out three important criteria which decide about the appropriate shaping
of songs and chants: (1) melody united to the words, (2) care about the artistic
value and (3) appropriate character and style of the work to designed for sacred
action. The role of sacredness and the close connection with the liturgical action
in church chant has been consistently emphasized. Songs and for liturgy must
not be chosen at random; also the way of singing and perfection of performance
are important. The appeal, directed to composers of sacred music, for new works
pertaining in their texts to a specific topic of the day or a specific liturgical action
remains always relevant. |