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dc.contributor.authorJanoszka, Maria-
dc.identifier.citationM. Piechota, M. Janoszka, O. Kalarus (red.), “Dziedzictwo romantyczne : o (nie)obecności romantyzmu w kulturze współczesnej” (s. 18-33). Katowice : Wydawnictwo Uniwersytetu Śląskiegopl_PL
dc.description.abstractRichard Rorty, one of the most controversial and, at the same time, most important philosophersof postmodernism, refers in his works to the most important thinking threads of Romanticismmany a time. What he considers particularly significant for the culture of the West isthe emphasis the Romantics put on the issue of self-creation of an individual, and a creative attitudeto the language, as well as philosophy openness to the issue of world unrecognizability anda linguistic nature of many “truths”. In Contingency, Irony and Solidarity, Rorty outlines a visionof the culture created by ironists-intellectuals making themselves aware of the passing nature ofthe language, world and individual self. In this theory one can notice a series of analogies to theconception of Friedrich Schlegl’s conception of Romantic irony, the most important of which isaccentuating a creative power of language, the possibility of self-creation, as well as particularfunctions of literature and philosophy in the culture, and the issue of a critical distance to sociallyestablished ideas.pl_PL
dc.publisherWydawnictwo Uniwersytetu Śląskiegopl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.subjectRichard Rortypl_PL
dc.subjectFriedrich Schlegelpl_PL
dc.titleDwie koncepcje ironii - Richard Rorty i Friedrich Schlegelpl_PL
Appears in Collections:Książki/rozdziały (W.Hum.)

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