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Zastosuj identyfikator do podlinkowania lub zacytowania tej pozycji: http://hdl.handle.net/20.500.12128/17476
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dc.contributor.authorBaron-Milian, Marta-
dc.date.accessioned2020-12-01T12:51:22Z-
dc.date.available2020-12-01T12:51:22Z-
dc.date.issued2020-
dc.identifier.citationB. Bokus, E. Kosowska (ed.), „Truth and Falsehood in Science and the Arts”. (S. 128-146). Warszawa : Wydawnictwo Uniwersytetu Warszawskiegopl_PL
dc.identifier.isbn978-83-235-4220-9-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/17476-
dc.description.abstractThe essay tries to capture the epistemological status of poetry from the perspective of questions posed by the economy of literature. Selected theories of poetry – those of Jochen Hörisch, Viktor B. Shklovsky, Jean Baudrillard and Franco Berardi – can be regarded as a kind of “economics of poetry” due to their proposed treatment of the properties of the poetic medium from an economic perspective. In each of these theories, poetry is defined as uneconomical and useless, which, paradoxically, becomes its fundamental condition for existence as a place for breaking the linguistic circulation of signs, a point of resistance against conventionalized communication and automatization of perception, and thus a medium offering unique knowledge about reality.pl_PL
dc.language.isoenpl_PL
dc.publisherWarszawa : Wydawnictwo Uniwersytetu Warszawskiegopl_PL
dc.rightsUznanie autorstwa 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/pl/*
dc.subjectpoetrypl_PL
dc.subjecttruthpl_PL
dc.subjecteconomy of literaturepl_PL
dc.titleWorthless yet Priceless : The Truths and Economics of Poetrypl_PL
dc.typeinfo:eu-repo/semantics/bookPartpl_PL
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Uznanie Autorstwa 3.0 Polska Creative Commons Creative Commons