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Zastosuj identyfikator do podlinkowania lub zacytowania tej pozycji: http://hdl.handle.net/20.500.12128/19595
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dc.contributor.authorDrab, Ewa-
dc.date.accessioned2021-03-19T10:47:44Z-
dc.date.available2021-03-19T10:47:44Z-
dc.date.issued2018-
dc.identifier.citationK. Gadomska, A. Loska, A. Swoboda (red.), "Le surnaturel en littérature et au cinéma = The supernatural in literature and cinema" (S. 107-115). Katowice : Wydawnictwo Uniwersytetu Śląskiegopl_PL
dc.identifier.isbn9788322634950-
dc.identifier.isbn9788322634967-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/19595-
dc.description.abstractWith the characteristics typical of postmodernist fiction, the novels written by Neil Gaiman, a British author of the imaginary, represent a contemporary perception of the imaginative literatures, regarded through the prism of hybridization. In consequence, in Gaiman’s work, different poetics and conventions, such as the fantastic and the marvelous, are combined to reveal various depictions of the supernatural. As a result, in order to examine the author’s style, it is necessary to ponder on the influence of the postmodernist on the choice of the genre. Furthermore, the analysis of the most important manifestations of the supernatural in Gaiman’s astounding novel American Gods (2001) should be preceded by a short introduction to the understanding of the terms “the fantastic” and “the marvelous.”pl_PL
dc.language.isoenpl_PL
dc.publisherKatowice : Wydawnictwo Uniwersytetu Śląskiegopl_PL
dc.rightsUznanie autorstwa-Na tych samych warunkach 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-sa/3.0/pl/*
dc.subjectNeil Gaimanpl_PL
dc.subjectAmerican Godspl_PL
dc.subjectthe fantasticpl_PL
dc.subjectthe marvelouspl_PL
dc.subjectthe supernaturalpl_PL
dc.subjectfantasypl_PL
dc.subjectpostmodernismpl_PL
dc.titleThe fantastic variations of Neil Gaiman's "American Gods"pl_PL
dc.typeinfo:eu-repo/semantics/bookPartpl_PL
Pojawia się w kolekcji:Książki/rozdziały (W.Hum.)

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