DC pole | Wartość | Język |
dc.contributor.author | Figzał-Janikowska, Magdalena | - |
dc.date.accessioned | 2021-07-22T09:52:57Z | - |
dc.date.available | 2021-07-22T09:52:57Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | M. Figzał-Janikowska, A. Głowacka, B. Popczyk-Szczęsna, E. Wąchocka (red.), "Pisanie dla sceny – narracje współczesnego teatru" (S. 291-302). Katowice : Wydawnictwo Uniwersytetu Śląskiego. | pl_PL |
dc.identifier.isbn | 978-83-226-3507-0 | - |
dc.identifier.isbn | 978-83-226-3508-7 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/20834 | - |
dc.description.abstract | The author of the article considers the question of narration in the context of the aural
sphere of the performance. She makes theatrical music the subject of the analysis, which as one of the
essential elements of the spectacle is capable of a significant contribution to the theatrical expression
and able to give it a certain direction or reveal its additional meanings. Taking into consideration
the origin of the musical pieces which appear in theatre, we can distinguish compositions created
for the purpose of a particular spectacle and borrowed works, which had existed before and were
used in a performance as quotations. Due to its provenance, it is the quoted musical piece which is
endowed with the strongest semantic charge, far exceeding the reality of the stage.
The main purpose of the article is to present three models of functioning of musical quotation
in dramatic theatre, which translate into its capabilities in building stage narratives. These are
examples derived from the analysis of the musical layer of selected performances of three Polish
directors: Krystian Lupa, Krzysztof Warlikowski and Jan Klata. Although they relate to different
aspects of functioning of the musical quote in theatre, it may be noticed that the consequence of their
employment is always an establishing of a new plateau of understanding between the scene and the
audience – an alternative model of theatrical communication, based of musical structures. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Katowice : Wydawnictwo Uniwersytetu Śląskiego | pl_PL |
dc.rights | Uznanie autorstwa-Na tych samych warunkach 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/ | * |
dc.subject | stage music | pl_PL |
dc.subject | musical quotation | pl_PL |
dc.subject | Krystian Lupa | pl_PL |
dc.subject | Krzysztof Warlikowski | pl_PL |
dc.subject | Jan Klata | pl_PL |
dc.title | O cytacie muzycznym w teatrze | pl_PL |
dc.type | info:eu-repo/semantics/bookPart | pl_PL |
Pojawia się w kolekcji: | Książki/rozdziały (W.Hum.)
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