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dc.contributor.authorMikołajczyk, Jacek-
dc.identifier.citationE. Wąchocka, D. Fox, A. Głowacka (red.), “Teatr historii lokalnych w Europie Środkowej” (s. 50-60). Katowice : Wydawnictwo Uniwersytetu Śląskiegopl_PL
dc.description.abstractThe article describes the ruins of the Gliwice Municipal Theatre as a site-specific theatre space.The tumultuous history of the Gliwice Municipal Theatre, built in 1890 and destroyed by Sovietsoldiers in 1945, resulted in the creation of a very distinct theatre space, discovered after halfa century by Ewa Strzelczyk — thanks to its ruined, state and a significant amount of tracesof history on its walls, the performances within acquired new meanings, transcending thoseinscribed into original productions. This quality has been utilized by Paweł Szkotak, the directorof Carmen, which has been produced with the specific space of the ruins in mind. The specificityof the space imposed an interpretation to the creator, causing him to set Bizet’s play duringwartime. As a consequence, the direction of explorations characteristic for space selectionwithin the frame of site-specific theatre has been reversed — the space was not selected withthe meanings of the performance in mind, but rather imposed a clear vision on the director.The ruins can be referred to as a “recovered space”.pl_PL
dc.publisherWydawnictwo Uniwersytetu Śląskiegopl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.subjectGliwicki Teatr Miejskipl_PL
dc.title"Carmen" wśród Ruin : teatr w miejscu odzyskanympl_PL
Appears in Collections:Książki/rozdziały (W.Hum.)

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Uznanie autorstwa - użycie niekomercyjne, bez utworów zależnych 3.0 Polska Creative Commons License Creative Commons