DC pole | Wartość | Język |
dc.contributor.author | Wylężek-Targosz, Ewa | - |
dc.date.accessioned | 2021-12-22T13:17:15Z | - |
dc.date.available | 2021-12-22T13:17:15Z | - |
dc.date.issued | 2021 | - |
dc.identifier.citation | "Review of International American Studies" Vol. 14, no. 2 (2021), s. 75-88 | pl_PL |
dc.identifier.issn | 1991-2773 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/22171 | - |
dc.description.abstract | The article presents an analysis of three paintings by one of the greatest American realist painters, Edward Hopper. The three selected works share a common denominator: they all address the concept of a car and the influence it has on the nation’s life—it has altered the way people traveled and expressed their identity. A car in Hopper’s works serves a twofold function, it allows its drivers and passengers to experience the land more as they can travel wherever they desire but, on the other hand, it contributes to a separation from their environment as the journey involves fragmentariness and rootlessness. | pl_PL |
dc.language.iso | en | pl_PL |
dc.rights | Uznanie autorstwa-Na tych samych warunkach 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/ | * |
dc.subject | Edward Hopper | pl_PL |
dc.subject | modernism | pl_PL |
dc.subject | paiting | pl_PL |
dc.subject | American Studies | pl_PL |
dc.subject | car culture | pl_PL |
dc.title | Car Painting in America: Edward Hopper's Vision of the Road | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.31261/rias.11806 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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