Na przekór przemijaniu : Roma aeterna w filmach Paola Sorrentina

Aleksandrowicz, Joanna

Pełny rekord metadanych

DC pole	Wartość	Język
dc.contributor.author	Aleksandrowicz, Joanna	-
dc.date.accessioned	2022-01-28T13:09:35Z	-
dc.date.available	2022-01-28T13:09:35Z	-
dc.date.issued	2020	-
dc.identifier.citation	"Scripta Classica", Vol. 17, 2020, s. 227-243	pl_PL
dc.identifier.issn	1732-3509	-
dc.identifier.issn	2353-9771	-
dc.identifier.uri	http://hdl.handle.net/20.500.12128/22431	-
dc.description.abstract	The article depicts images of Rome in four films of Paolo Sorrentino: The Family Friend (L’amico di famiglia, 2006), The Divine (Il Divo, 2008), The Great Beauty (La grande bellezza, 2013) and Them (Loro, 2018). Director, on the one hand, shows the socio-political and artistic collapse of the city, on the other, presents the modern version of idea of Roma aeterna. However, eternity in Sorrentino´s works is not associated with military power nor religion, but with aesthetic. Eternal beauty of Rome contrasts with contemporary chaos in all analysed films, but at the same time – especially in The Great Beauty – it becomes an antidote against existential crisis and the passing of time.	pl_PL
dc.language.iso	pl	pl_PL
dc.rights	Uznanie autorstwa-Na tych samych warunkach 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by-sa/3.0/pl/	*
dc.subject	Paolo Sorrentino	pl_PL
dc.subject	Italian cinema	pl_PL
dc.subject	Rome in film	pl_PL
dc.subject	Roma aeterna	pl_PL
dc.title	Na przekór przemijaniu : Roma aeterna w filmach Paola Sorrentina	pl_PL
dc.type	info:eu-repo/semantics/article	pl_PL
dc.identifier.doi	10.31261/SC.2020.17.15	-
Pojawia się w kolekcji:	Artykuły (W.Hum.)