W poszukiwnaiu trzeciego sensu. O zjawisku interferencji sztuk w twórczości Jarosława Iwaszkiewicza

Abstract

In the works of Jarosław Iwaszkiewicz various forms of art (especially musical and visual arts) often co‑exist. The interference of arts, in this case, is limited to the formal experiments (regarding eg. musicality of a poem, or lexical devices which serve the purpose of language visualisation), and it becomes a method of searching for the more profound sensations in visual arts, which results in discovering new senses through art. Adopting Roland Barthes’s terminology, this process may be defined as an attempt to determine an open sense — the so called third sense. In case of Iwaszkiewicz’s works, most often this sense is of metaphysical nature.