DC pole | Wartość | Język |
dc.contributor.author | Kempna-Pieniążek, Magdalena | - |
dc.date.accessioned | 2018-05-10T09:56:40Z | - |
dc.date.available | 2018-05-10T09:56:40Z | - |
dc.date.issued | 2012 | - |
dc.identifier.isbn | 9788322620892 | - |
dc.identifier.isbn | 9788380125032 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/3493 | - |
dc.description.abstract | The book was devoted to the place Marc Forster’s output is given in the category
of imagination. In the first part the author outlines the most important theories
of imagination, starting from the ancient conceptions and phenomenology to contemporary
philosophy and film thought. When discussing the opinions of such
researchers as Gaston Bachelard, Jean-Paul Sartre, Hanna Segal, Paul Ricoeur,
Edgar Morin and Gilles Deleuze conclusion on a multidimensional understanding
of this problem and its entanglement into contemporary redefinitions of such
categories as memory can be drawn.
The second part of the book constitutes a collection of analyses of Marc Forster’s
movies (Finding Neverland, Stay, Stranger than Fiction, The Kite Runner, Monster’s Ball,
Quantum of Solace). The author presents the levels on which the concept of imagination
understood as a psychological, aesthetic or philosophical , and, above all,
anthropological category appears in director’s works in five subsequent scenes.
In her interpretations, she makes use of different research tools, including, René
Girard’s or Roland Barthes’ theories. She also refers to, among others, the problems
of movie authorships, postmodern movie, contemporary collections of phantasms,
and the occurrence of mythic structures in pop culture at the turn of the 20th and
21st centuries. Although the most popular Forster’s works constitute the core issue,
the author also touches upon his less known projects, such as a debuting movie
Everything Put Together or a commercial LX Forty.
Conclusions from the analyses conducted, included in the book, correspond
with the latest theories of imagination. In the light of Forster’s works imagination
presents itself as a category tightly connected with memory, identity or subjectivity | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Śląskiego | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | Marc Forster | pl_PL |
dc.subject | wyobraźnia w kinie | pl_PL |
dc.title | Dziwniejsze niż fikcja : rola wyobraźni w filmach Marca Forstera | pl_PL |
dc.type | info:eu-repo/semantics/book | pl_PL |
Pojawia się w kolekcji: | Książki/rozdziały (W.Hum.)
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