DC pole | Wartość | Język |
dc.contributor.author | Kempna-Pieniążek, Magdalena | - |
dc.date.accessioned | 2018-05-24T08:17:26Z | - |
dc.date.available | 2018-05-24T08:17:26Z | - |
dc.date.issued | 2015 | - |
dc.identifier.isbn | 9788380124165 | - |
dc.identifier.isbn | 9788380124172 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/3943 | - |
dc.description.abstract | Neo-noir. The Dark Reflection of the Times of Crisis is a book devoted to problems
of new film noir genre. In the opening part, the author recapitulates previous definitions
of this phenomenon, simultaneously proposing her own understanding
of neo-noir as an aesthetics developing dynamically especially in the times of the
broadly understood crises. The following chapters are of interpretative character.
The author illustrates how neo-noir diagnoses crises present in the contemporary
culture: identity, gender and epistemological crises, as well as these connected
with doubt about humankind. The new cinema noir seems to be a reaction to
all the questions regarding the status of film as a medium, and to crises affecting
genres and conceptions of film authorship. The last chapter is devoted to “neo-
-noir touches” – the author follows the traces of elements of this aesthetics, among
others, in the works of Atom Egoyan, in the Polish cinema and the contemporary
film pop-culture, including the one which may be defined as design cinema.
Although the author grounds her analysis mainly in the film examples, she
also refers to selected comic books (Joker by Brian Azzarello and Lee Bermejo),
video games (L.A. Noire), music videos (Who Is It? by Michael Jackson), and
even advertisements (BMW series: The Hire). The book not only contains studies
and interpretations of works defined as retro-noir (such as The Postman Always
Rings Twice by Bob Rafelson or The Black Dahlia by Brian De Palma), whose
authors pay tribute to the classical black cinema, but also of numerous science
fiction movies, (Ridley Scott’s Blade Runner, Terminator and Matrix cycles, and
Battlestar Galactica series), thrillers (Basic Instinct by Paul Verhoeven or Jagged
Edge by Richard Marquand), and comic book adaptations (Christopher Nolan’s
cycle about Batman and Robert Rodriguez’s Sin City). Simultaneously, the author
refers to both Western and Asian cinematography (i.e. Hong Kong, Korean, Japanese
and Indian). | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Śląskiego | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | transkulturowy nurt estetyczny | pl_PL |
dc.subject | neo-noir | pl_PL |
dc.subject | czarny film historia i krytyka | pl_PL |
dc.title | Neo-noir : ciemne zwierciadło czasów kryzysu | pl_PL |
dc.type | info:eu-repo/semantics/book | pl_PL |
Pojawia się w kolekcji: | Książki/rozdziały (W.Hum.)
|