DC pole | Wartość | Język |
dc.contributor.author | Lyszczyna, Jacek | - |
dc.date.accessioned | 2018-06-15T10:30:20Z | - |
dc.date.available | 2018-06-15T10:30:20Z | - |
dc.date.issued | 1994 | - |
dc.identifier.isbn | 8322605927 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/4623 | - |
dc.description.abstract | Maurycy Gosławski (1802—1834) is today a virtually unknown poet, al though at one time
— and especially in the period of the November Insurrection (1830) — his poetry enjoyed great
popularity. Viewed from the perspective of one and a half centuries his works would appear to be
of interest not only as reflecting certain processes taking place in literature during the eighteen
twenties and thirties, but also as an original and valuable contribution to the development of
Polish Romantic poetry. In reminding us of the complete writings of Gosławski the author of this
book focuses special attention on the problems presented in the genological structure of the works
considered, treated as the starting point for further research investigations. The monographic
nature of this study is the reason that a chronological system has been taken, and in line with this
the particular chapters are devoted to the successive works of the poet, marking the evolutionary
stages in his poetic development
The first large work written by Gosławski, not taking into account juvenile poetic dabblings, is
the poem Podole, representing an interesting attempt at creating a romantic form of the descriptive
poem. Starting from certain assumptions recognised as fundamental for this genre, the poet goes
beyond the classicist framework of its models. The possibilities for such new formations inherent in
the specific genre structure of the descriptive poem were cleverly exploited by Gosławski,
consistently remaining in agreement with the requirements of the new trend.
The next successive work is the poem Tęsknota (Yearning), written already in the eighteen
twenties, but finally completed after the defeat of the November Insurrection. This verse has
a complex genre structure in which narrative parts are interwoven with dramatic scenes. In this
work, offering a reckoning with the ideals of early Romanticism, the narrator appears as the author
of the poetry, aware of his role, unfolding before the reader the actual process of creating the poem
and underlining its literary nature.
Poezja ulana polskiego poświęcona Polkom (Poetry o f a Polish uhlan dedicated to Polish women)
is a cycle of verses by Gosławski, himself a participant in the November Insurrection, and forms
a logical linking of the whole, the common feature of which is the identity of the presented world
and also a common begetter: the poet-soldier. The Romantic postulation of the agreement between
poetry and deeds is expressed here with the conviction that deeds become the manifesto and the
fulfilment of the truths pronounced with the poetic word. Describing Poland’s role in these verses
as the „bulwark of freedom”, in conjunction with the sanctification of the actual conception
of freedom and the fight undertaken in its name, is a consequence of accepting a messianic vision
of the world and of history. Gosławski’s lyrics of the Insurrection time were thus an important
link in the development of the idea of Polish national messianism.
Gosławski’s next poem, entitled Odstępca albo renegat (Apostate or renegade) was written after
the defeat of the November Insurrection, viewed from the perspective of life in emigration, as one of
the works in the „reckoning with the past” trend. This poem, depicting the process of collapse of
the national romantic myths, but also the mechanism of birth of new myths, is at the same time
a poem on the development of Romantic awareness.
In the last of the poems, given the title Banko (Banco), the tide of the principal stream leads
unerringly to shattering, by means of irony, of the myth of romantic love, and to questioning the
authenticity of feeling and the serious importance of the experiences of heroes. This work also
contains a chapter which is an ironic picture of the November Insurrection and its leaders. This
attitude adopted by the narrator towards the presented world and the way he distances himself
from the heroes of the poem, and again the open nature of the composition, are important qualities
that bring this work closer to the Romantic digressive poem genre. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Katowice : Wydawnictwo Uniwersytetu Śląskiego | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | Maurycy Gosławski | pl_PL |
dc.subject | twórczość | pl_PL |
dc.title | Twórczość poetycka Maurycego Gosławskiego | pl_PL |
dc.type | info:eu-repo/semantics/book | pl_PL |
Pojawia się w kolekcji: | Książki/rozdziały (W.Hum.)
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