Dwuadresowość filmu animowanego dla dzieci

Abstract

In the present article the author subjects to an analysis the factors which determine the fact that adult recipients perceive undertones that are addressed to them in an animated fi lm for children. Th ese factors include themes that touch upon the relevant problems of modernity, the artistic means which enable the creator to convey a certain thought above censorship and the expectations of the recipients which make them actively seek allusions. Th e material that is analysed has to do with Polish and Russian fi lms of the socialist period. Th ey contrast with each other by the fact that Russian animated fi lms for children of the thaw period and the subsequent stagnation become a rich source of winged words that criticise the political regime, whereas the Polish fi lms were and continue to be interpreted merely as naïve stories unburdened by ideology. Th e author considers the animated fi lm for children as a semantic whole and concentrates upon the audio-visual means of expression.