Abstract: | The czech theatre in Cieszyn throughout 120 years was planing the role of “pedagologital
theatre” (in the reasonning of Margaret Dietrich, austrian theatrologist) as it was acquainting
with Czech language, popularizing knowledge of Czech Republic and czech nation, aquainting with national dramaturgy, with the theatrical works of czech cultural centres. It was also widening
the horizons of knowledge and also, that is mostly significant when speaking of the national
borderline matters, it was popularring (with few recalled exept (ons) patterns of conflict
free Polish-Czech co-existenceachieved thanks to the support of the Cieszyn’s in habitants of the
polish nationality. Firstly it was done at the patchy, when it comes to the nationality profice, territory
followed by solely Polish domain. Appearance of the Czech theatre in the Polish reality of
Cieszyn, as one of the modern forms of popularizing culture, becomes also a challenge when it
comes both to the multicultural education in its wide perspective and to the multidimensional
prooving the ability of multiculural dialoque. |