Abstrakt: | The author of the article compares the writer‘s poetic and horticultural
activity. She is interested in Vilnius heritage (especially that connected with Stanisław
Bonifacy Jundziłł), which shaped the natural sensitivity of the poet, and the famed
home garden at Oak Park (the suburbs of Chicago), or, as Ryszard Sawicki suggested,
Karpowicz’s “American Wilno”. The author of the text asks about the discord between the consciously worked-out lack of sensuality of the poet‘s poems and the sensual
richness of the gardener who describes his attitude to nature in interviews and
letters. She also propounds the thesis that Karpowicz’s poetry can be interpreted as
a conceptual escape from the garden and sensuality, from the imposing and never
overstretched nature of nature, and from this perspective it may be viewed also as
yet another form of Karpowicz’s “creative negation”. Karpowicz-creator breaks with
referentiality embedded in a concrete, sensual experience; he shifts attention from what
is found to what is potential. He does not seem to think back to the “place on Earth”;
he rather actively creates its own “place in existence”. He creates it − like his “American
Vilnius” – from scratch. |