Mario Martín Gijón; split; reader; Spanish poetry; neo-avant-garde
Kamchatka. Revista de Análisis Cultural, No 11(2018), s. 163-178
The creation of the contemporary Spanish poets, perhaps due to the temporal
closeness, has not yet become one of the popular research objects. In XXI century changes the
paradigm of the creation of poetic ecosystem: it is to notice the appearance of individual poetics.
Although the critics claim not to investigate the poetry, at the end of the day, the poets keep been
grouped for tendencies and ages. Furthermore, if we take into account that the few critical
approaches that have been made in this field, are limited to extensive overviews of the Spanish
poetics of the first decades of the twenty-first century, it is necessary to perform a more detailed
observation of the accomplishments of these authors. In this article we put forward the
presentation and the analysis of one of the most singular poetic creation of the cracked poetry -
the work of Mario Martín Gijón, taking into account his prosa and his place between his pairs.