DC pole | Wartość | Język |
dc.contributor.author | Olszewski, Krzysztof | - |
dc.date.accessioned | 2018-11-19T12:32:01Z | - |
dc.date.available | 2018-11-19T12:32:01Z | - |
dc.date.issued | 2003 | - |
dc.identifier.citation | Proceedings of the International Conference on Japanese Literature in Japan, Vol. 26 (2003), s. 35-44 | pl_PL |
dc.identifier.issn | 0387-7280 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/7110 | - |
dc.description.abstract | In this paper I would like to explain – taking a history of the early Heian period as a background – the process of creation of national (i.e. Japanese) culture by the aristocracy who – since the An Lu-Shan’s Rebellion – could observe from the Japanese Archipelago the first symptoms of the decline of the Tang dynasty in China. The Japanese of the Heian period, who – from the Chinese perspective – “lived at the frontiers of culture” (see: Umehara Takeshi, 2001) while being almost perfectly bilingual , did not deny Chinese culture, but on the other hand, they adapted from it the best and the most suitable aspects for their artistic images. I would like to show that process of aesthetical adaptation on the basis of an analysis of the part of “The Tosa Diary”, which is called to be a representative literary work in the Japanese literature of the 10th century. I think that the so often mentioned eclecticism of the work was not Ki no Tsurayuki’s isamiashi, i.e. literary failure (see: Hagitani Boku, 2000). In this paper I would like to prove that “The Tosa Diary” is a completed and intentionally written literary work (with the most important goal to discuss with the Chinese culture of the Tang dynasty), and its eclecticism was rather a result of groping for new expressions and a new literary genre in the process of creation of national culture. | pl_PL |
dc.description.sponsorship | Uniwersytet Jagielloński, Zakład Japonistyki i Sinologii | pl_PL |
dc.language.iso | ja | pl_PL |
dc.publisher | National Institute of Japanese Literature | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | dwujęzyczność | pl_PL |
dc.subject | Heian | pl_PL |
dc.subject | literatura japońska | pl_PL |
dc.subject | dynastia Tang | pl_PL |
dc.title | 「二カ国語併用と国風文化の創造の問題-『土佐日記』に於ける唐風文化との対話の視点から」 | pl_PL |
dc.title.alternative | Dwujęzyczność a problem kształtowania kultury narodowej – z perspektywy dialogu z kulturą chińską z czasów dynastii Tang na kartach „Pamiętnika z Tosy” | pl_PL |
dc.type | info:eu-repo/semantics/conferenceProceedings | pl_PL |
dc.relation.journal | Proceedings of the International Conference on Japanese Literature in Japan | pl_PL |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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