Wybrane aspekty wykonawcze i interpretacyjne w wiolinistyce jazzowej i klasycznej

Abstract

The article touches upon the nature of the idea lying behind the artists — violinists expressing their emotions through music in such diversified stylistics as jazz and classic music, infrequently skillfully balancing between them. Finding the nature of interpretation, technical perfection or inspiration motivating for creation and constant development, we notice that music becomes a universal being, being able to exist beyond divisions.