Abstrakt: | The subject matter of the present monograph, entitled TechGnosis, Uchronia, Science
Fiction. The Prose of Jacek Dukaj is the analysis and interpretation of the prose works
of the author of Ice, conducted with the adoption of selected categories, such
as techgnosis, conservatism, futurology, and uchronia.
The first part of the book primarily concerns the relation between the writings
of Jacek Dukaj and the writings of Stanisław Lem. Piotr Gorliński-Kucik
describes the creative path of the author of Lód [Ice], and next considers
the possibility of applying the Harold Bloom’s “anxiety of influence” theory
to the relation between these two prose-writers. In the next chapter, “Project
‘Autoevolution’,” the author attempts to situate the prose by Dukaj against
posthumanism (the reflection upon the possibility of non-human subjectivity),
and the evolution of man and technology, as well as to juxtapose the content
of the novel by this author with the repertoire of H+ concepts specified in essays
by Lem. The following
chapter, “Dialogues” is devoted to polemical references
to the writings of the author of Solaris, made by Dukaj in his short stories Irrehaare,
In Partibus Infidelium, and The Eye of the Monster. In The Economy of a Small
Form, the author discusses quasi-reviews (here referred to as “virtual literature”),
and then continues with the description of the essays on books not yet
written, which have been done by the author of Ice; one of these texts, “Who
Wrote Stanisław Lem?”, has become a parody-tribute and a kind of mini-monograph
on the works of the author of Solaris.
The second part of the present work primarily concerns the key categories:
techgnosis and uchronia. In the chapter “The Scorched Earth Policy”, the author
suggests a typology of fictional universes constructed by Dukaj and describes
the narrative model of his novels. The most extensive chapter of the work,
“The Economy of Salvation. Ethics and Aesthetics of Gnosis,” has been devoted
to the conservative society as portrayed in the novel by the author of Lód
[Ice], and to gnostic soteriology – here, salvation is bestowed only upon narrow
elite (this being the “economy of salvation”). Dukaj describes highly advanced technology by means of language that usually serves to designate the characteristics
of human spirituality, which has been examined here in the context
of postsecularism. Two other strategies of describing technoscience in the context
of secularization have also been given some thought (in the short story
by Lem and the novel by Jules Verne). In the chapter “Transhumanist Uchronia”,
the category of uchronia has been further specified as “time that is not (yet).”
The next subject matter that has been taken into consideration is the unstable
subjectivity of the posthuman, that is, the man of virtual (post-postmodern)
era, specifically with the reference to the categories of sexuality (in the discourse
of post-genderism and cyber-feminism). Dukaj has then been situated
in the generation of “the followers of Gombrowicz” (as opposed to the generation
of “the followers of Schulz”), and therefore looked upon as operationalising
the artistic language of the author of Ferdydurke. Also, a complex game based
on a parody-tribute and pastiche (a quotation of style) played by Dukaj with the
texts of Gombrowicz and Aristotle has been characterised. The chapter concludes
with an attempt at interpreting Inne pieśni [Other Songs].
Two chapters have been devoted to one of the most important novels by Jacek
Dukaj: Lód [Ice]. In the first one, the author has taken into account the construction
of alternative history, also in the context of a historical novel. The other
chapter deals with postmodern intertextuality and the problem of memory
and narration, and, in addition, offers an attempt at interpreting the novel.
The final chapter of the present monograph concerns the latest novel written
by Dukaj, entitled The Old Axolotl. Its reading confirms the path of interpretation
outlined in the readings of earlier works, at the same time allowing to take
a look at the poetics of an e-book novel.
The present monograph, TechGnosis, Uchronia, Science Fiction. The Prose of Jacek
Dukaj, is aimed at acknowledging the intellectual and artistic value of the prose
by Jacek Dukaj, and at integrating the reflection upon its nature into the domain
of academic discourse. |