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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12128/11410
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dc.contributor.authorWilkoń, Teresa-
dc.date.accessioned2019-10-23T06:41:15Z-
dc.date.available2019-10-23T06:41:15Z-
dc.date.issued2017-
dc.identifier.citationJ. Kisiel, E. Wróbel (red.), "Władysław Sebyła : lektury" (S. 51-60). Katowice : Wydawnictwo Uniwersytetu Śląskiegopl_PL
dc.identifier.isbn978-83-226-3145-4-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/11410-
dc.description.abstractWładysław Sebyła is creator of a “dark”, orphic movement, man with highly original imagination. Catastrophic motifs come across his expressive yet organized poetry. Visions of the imminent destruction of the world are combined with pessimistic images of the fearful reality. There comes a poet, breaking aestheticism of both Cracow Avant‑garde and Skamander into the realm of ugliness, ahead of turpism poets of the “generation of 1956”. He desacralizes nature in his descriptions of nature’s elements, taking away the beauty of nature belonging to the main themes of Polish poetry and prose since Mickiewicz’s time. Władysław Sebyła was patronized by “the good God of details” – as Rilke said – but a certain fascination with details, so evident in the descriptions of the element of Earth (poem Młyny. Sonata nieludzka), stemmed from gloomy associations, dream visions and some obsessions, often presented in the flash of the sun and lunar light.pl_PL
dc.language.isoplpl_PL
dc.publisherKatowice : Wydawnictwo Uniwersytetu Śląskiegopl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectSebyła, Władysław (1902-1940)pl_PL
dc.subjectkrytyka i interpretacjapl_PL
dc.titleŻywioł ziemi w poezji Władysława Sebyłypl_PL
dc.typeinfo:eu-repo/semantics/bookPartpl_PL
Appears in Collections:Książki/rozdziały (W.Hum.)

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Uznanie autorstwa - użycie niekomercyjne, bez utworów zależnych 3.0 Polska Creative Commons License Creative Commons