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dc.contributor.authorMięsowska, Lidia-
dc.identifier.citationB. Stempczyńska, L. Mięsowska (red.), "Literatura środka" kontekst słowiański. (S. 41-63). Katowice : Wydawnictwo Uniwersytetu Śląskiegopl_PL
dc.description.abstractThe article raises the issues connected with the „middle literature” in the Russian contemporary literature. The phenomenon of the “middle literature, not ultimately investigated, although evokes controversies (because of the lack of particular determinants and too big closeness with the popular literature) among critics and seems to be extremely helpful in the analysis of works by young Russian playwrights Oleg and Vladimir Priesniakow. A drama duet makes plays being an incessant dialogue of a “high” ideological message (they deal with philosophical, existential, socio‑cultural problems) with an artistic form adjusted to receptive abilities of an “average” reader. Borrowing serious philosophical discourses from a highbrow literature and shaping them in grotesque and absurd forms, depict strongly in a universal idea of a dialogue of aesthetics and poetics.pl_PL
dc.publisherWydawnictwo Uniwersytetu Śląskiegopl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.subjectWładimir Priesniakowpl_PL
dc.subjectOleg Priesniakowpl_PL
dc.subjectwspółcześni dramaturdzy rosyjscypl_PL
dc.titleFilozoficzne błazenady braci Priesniakowów : rzecz o "dramaturgii środka"pl_PL
Appears in Collections:Książki/rozdziały (W.Hum.)

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Uznanie autorstwa - użycie niekomercyjne, bez utworów zależnych 3.0 Polska Creative Commons License Creative Commons