DC pole | Wartość | Język |
dc.contributor.author | Mokranowska, Zdzisława | - |
dc.date.accessioned | 2018-04-23T05:55:18Z | - |
dc.date.available | 2018-04-23T05:55:18Z | - |
dc.date.issued | 2012 | - |
dc.identifier.citation | E. Dutka, M. Tomczok (red.), "Proza polska XX wieku : przeglądy i interpretacje. T. 2, Z perspektywy nowego stulecia" (S. 15-29). Katowice : Wydawnictwo Uniwersytetu Śląskiego. | pl_PL |
dc.identifier.isbn | 9788322620595 | - |
dc.identifier.isbn | 9788380125636 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/2997 | - |
dc.description.abstract | The article is an attempt at pinpointing differences and similarities in ways of shaping
the images of Eastern Borderlands (Kresy) of the old Republic of Poland in novels
by Henryk Sienkiewicz and in Zofia Kossak’s prose. The thesis undertaken in the paper
is justified merely by the fact that Stanisław Cat-Mackiewicz dubbed the authoress of
The Crusaders “the Sienkiewicz’s daughter”. As a matter of fact, it also expresses, rather
common in literary criticism, inclination to compare both types of historical writing, for
instance because of placing the plots of the novels in turbulent 17th century or similar
ways of their characters’ entanglement in historical events. Yet, differences between both
novelistic worlds easily balance the similarities. Both writers are enthralled by Romantic
tradition of Kresy description as well as clearly defined emotional attitude to those places,
which nonetheless is of the various origins. In the case of the authoress of Conflagration
it is directly biographical imperative. To Sienkiewicz, on the other hand, the image of
Kresy emerges form his artistic imagination and from the readings of the literary as well
as historical texts. The next element which differentiates and in some aspects makes the
works of both authors resemble is their philosophy of history. The interest in history and
the knowledge of it as well as literary predilection for the genre of historical novel do
not result for the author of The Trilogy and Zofia Kossak in a similar manner of artistic
creation. What is characteristic for the writings of Kossak is her indication of historical
events’ mechanisms and a constant will to gain the parenetic content out of it. Notwithstanding,
the Sienkiewicz’s “moralizing” is of a more intricate nature. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Śląskiego | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | Zofia Kossak | pl_PL |
dc.subject | Henryk Sienkiewicz | pl_PL |
dc.title | Zofia Kossak w kręgu Sienkiewiczowskich tematów kresowych | pl_PL |
dc.type | info:eu-repo/semantics/bookPart | pl_PL |
Pojawia się w kolekcji: | Książki/rozdziały (W.Hum.)
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