DC pole | Wartość | Język |
dc.contributor.author | Piotrowska-Grot, Magdalena | - |
dc.date.accessioned | 2018-04-24T10:01:30Z | - |
dc.date.available | 2018-04-24T10:01:30Z | - |
dc.date.issued | 2015 | - |
dc.identifier.citation | A. Świeściak, S. Trela (red.), "Strychy / piwnice : inne przestrzenie" (S. 95-112). Katowice : Wydawnictwo Uniwersytetu Śląskiego | pl_PL |
dc.identifier.isbn | 9788380127111 | - |
dc.identifier.isbn | 9788380127128 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/3151 | - |
dc.description.abstract | “We like to spy on others” — as writes Agnieszka Nęcka. Private sphere in
modern literature has become an extremely popular commodity however, it
seems the most popular is the form of uncovering our own intimacy — dairies,
non-fiction forms, reality-shows. Private, inaccessible lives of others still attracted
both: creators and consumers, mainly because it is allow people to define
themselves against the “interiority” of society.
Voyeurism is a very common strategy of writing in o Tomasz’s Rożycki works
— in his poems entity recounts what he manages to pry peering into the basement,
looking through the windows, spy the old lady from under the bed
— observed the spaces, people and animals showing the interior of the Other,
also the Other in him. In this article, I would like to look at artistic “voyeurism“ — to explore popular,
but quite peculiar Różycki’s poetry, creative method — mainly on the example
of his poetic novel “Bestiarium”, and a few selected poems. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Śląskiego | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | Tomasz Różycki | pl_PL |
dc.subject | literatura polska | pl_PL |
dc.title | Miejsca podpatrywania/podpatrywane : puzzle przestrzenne Tomasza Różyckiego | pl_PL |
Pojawia się w kolekcji: | Książki/rozdziały (W.Hum.)
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