Słuchanie jako doświadczenie somatyczne : o wierszach Edwarda Pasewicza

Abstract

The text is a synthetic description of Edward Pasewicz’s poetic work, which is included within the “plan for a somatic criticism.” The key operational concept used to describe this poetry is rhythm, which spreads out on all the levels of expression like a theme in a story and makes the texts of every poet unique and original. The rhythm is closely linked with the process of listening and with the body itself, which generates it. Following Charlers Berstein, the author performs an act of Close Listening, attempting to point out the relations between rhythm, the sphere of sound in Pasewicz’s poetic texts, and a speaking subject.